Publications
- Pirrò, D., Eckel, G., "Physical modelling enabling enaction: an example", Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Oslo, 2011, pp. 461-464, [PDF]
- Rutz, H.H., Miranda, E., Eckel, G., "Reproducibility and Random Access in Sound Synthesis", Proceedings of the International Computer Music Conference (ICMC), Huddersfield, UK, 2011, [PDF]
- Eckel, G., Rumori, M., Pirrò, D., González-Arroyo, R., "A Framework for the Choreography of Sound", Proceedings of the International Computer Music Conference (ICMC), Ljubljana, Slovenia, 2012, pp. 504-511, [PDF]
- Eckel, G., "Improvisation as Epistemic Practice", (re)thinking improvisation - Artistic explorations and conceptual writing, Henrik Frisk and Stefan Österjö (eds.), Malmö Academy of Music, Lund University, Malmö, Sweden, 2013, pp. 42-47, ISBN 978-91-979584-9-3, [PDF]
- González-Arroyo, R., "Towards a Plastic Sound Object" in: Petra Ernst, Alexandra Strohmaier (eds.), Raum:Konzepte in den Künsten, Kultur- und Naturwissenschaften, Nomos Verlag, Baden Baden, 2013, pp. 239-258, ISBN 978-3-8329-6761-1
- Eckel, G., Rumori, M., "StiffNeck: The Electroacoustic Music Performance Venue in a Box", Proceedings of the International Computer Music Conference (ICMC), Athens, Greece, 2014, pp. 542-546, [PDF]
- Eckel, G., "Konzertsaal", in: Künstlerische Forschung. Ein Handbuch, Jens Badura, Selma Dubach, Anke Haarmann, Dieter Mersch, Anton Rey, Christoph Schenker, and Germán Toro Pérez (eds.), Diaphanes, Zürich-Berlin, 2015, pp. 307-310, ISBN 978-3-03734-880-2